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Earlier works, portraits, and mixed-media pieces trace the evolution of my practice. Together they form a visual record of shifting ideas—where experimentation, memory, and intuition first began to shape the language I use today.
Borrowed Ties + Big Plans
Drawn from vintage yearbook portraits, the Classmates Series revisits a threshold we all remember—standing on the edge of adulthood, caught between who we were and who we might become. Through scale and gesture, the portraits reveal how the passage of time shapes not just what we see, but how we feel.
Norman, Class of ‘55
Darlene, Class of ‘55
Lois, Class of ‘55
Marianne, Class of ‘55
Elaine, Class of ‘55
Allen, Class of ‘55
Carolyn, Class of ‘55
Don, Class of ‘55
Rosie, Class of ‘55
Herb, Class of ‘55
Shirley, Class of ‘55
Cliff, Class of ‘55
Glenn, Class of ‘55
Ellen, Class of ‘55
Stanley, Class of ‘55
Phyllis, Class of ‘55
Lydia, 2024, Class of '55
Oil on Canvas, 12 x 9 in
George, 2024, Class of '55
Oil on Canvas, 12 x 9 in
Helen, 2023, Class of '55
Oil on Canvas, 12 x 9 in
Harold, Class of '55
Oil on Canvas, 12 x 9 in
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Masks
These sculptural masks transform wooden skulls and imagined faces into expressive, otherworldly portraits. Each is embellished with vintage 1940s shoe studs—small relics repurposed into symbols of resilience and reinvention, catching light and shadow like traces of memory and time.
Swirl and Shadow
14 x 7 x 5.5 in
Triangle of Light
17 x 7 x 5.5 in
Calavera
8.5 x 6.5 x 4 in
Demonio
8.5 x 8 x 7 in
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